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Wake me up
Interactive installation

ِWake me up:
- Interactive installation, EMU Department of Architecture
- Famagusta- Cyprus,  2018
"Wake Me Up" stands as a testament to the transformative power of interactive art installations. At its core lies a motion sensor, ingeniously embedded within a chair positioned prominently in the heart of the installation. This sensor, sensitive to the slightest movement, serves as the catalyst for a remarkable spectacle.

As individuals pass by or choose to engage with the chair, they unknowingly become the maestros of a symphony of light and sound. With each gesture, the sensor triggers a cascade of luminous effects, illuminating not only the chair but the entire amphitheater surrounding it. The once-dormant space is now alive with color and energy, a testament to the collective agency of its participants.


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Figure 2: Metsker Maps.The site plan of the Department of Architecture plaza. The plan is based on the Metsker's map of Famagusta. Eastern Mediterranean University: Department of Architecture. Source google maps and author's edit
The ambient lighting, carefully orchestrated to complement the movements of the participants, creates an ethereal atmosphere. Electric eyes, responding to the presence and actions of the audience, weave a luminous sculpture that evolves in real-time. Every interaction, every gesture, becomes a brushstroke in this living canvas, with the public at the helm of its creation.

This immersive experience transcends mere observation, inviting active participation and engagement. As individuals become part of the artistic transformation, they forge connections not only with the space but with each other. Dialogues unfold, relationships form, and a sense of community blossoms within the urban structure.

To truly grasp the essence of "Wake Me Up," one must be present, immersed in the interplay of light and motion. As they interact with the chair, they become the protagonists of a public theater, with the amphitheater itself clamoring to respond to their every move. It is a spectacle where the audience is also the performer, where each individual contributes to the collective narrative of urban revitalization and artistic expression.
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Figure 3: the interactive installation in the department of architecture's amphitheater

Without delay, interesting approaches are chosen to be selective additives to the amphitheater square; specifically made for night time, to test the different perceptions of an outdoor space in the dark (Figure 3). For example, sequential lights are added all around the circular seating area around the main square. These lights light up a path accentuating the main added element of interaction; the middle chair. To clarify, a chair is placed in the middle of this square and is wrapped with green intensive light screaming for attention. Accordingly, senses are implanted, so that as users approach the chair, the lights get empowered more and shine brighter since a life came to interact with it; basically, it becomes more alive.
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Figure 4:the interactive installation in the department of architecture's amphitheater. Top vie,proposal map
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This installation breathes life into neglected spaces, inviting strangers to discover and engage with it. Like a sleeping soul awaiting awakening, it transforms dead zones into vibrant hubs of activity. Electric eyes respond to movement, crafting a luminous sculpture with the public as its creators. To truly grasp its essence, one must be present, immersed in its interactive embrace. It serves as a catalyst for connection, sparking conversations among visitors and students alike. By adding a new dimension to the space, it invites people to not just occupy, but truly feel and experience it.
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